poetry, poetics &c.
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Jen Tynesabout Ways of ContrarinessConservation, Preservation, Reservation, Capitalization.The importance of every little thing is always shifting. If you survive some depression or other and learn to make empathetic furniture out of privet wood and coffee cans, this knowledge must also be implicit, within you: one day everyone will cut down their hedges for good or switch over to ficus; they will drink their coffee in beans and bricks. How you maneuver your self and knowledge-at-large at this point says alot about your method of imposition. I’m still new blood and I can’t tell you what I’d do in your shoes, but I am trying here to manage two things: always maintain a constant and a variable, make them both get up and walk around sometimes. Want to have a difficult conversation with someone, ask them what they mean when they say traitor. from Ways of Contrariness
THE END OF RUDE HANDLESThe dark spots the surface, makes a lawn. Some cousins used to trade their prescriptions. Inside the television is not encumbered by any other boxes or rooms. Your hands make jars everywhere. Floors, when they have risen white make white folds and charge everyone that lit out early. A party left thin, orange stripes on the trees. I burn my own mark into each animal long after thinking it. 
WHO HAS BEEN DEAF FROM BIRTHI don’t remember any CONVERGING INTO THE GROUPS AND CENTERSA bundle of hose left twisted and loose to remind us, periwinkle is a color-dressed grass. The neighboring children dress like a faucet with little things in their hands and pockets. We turn on every light in the house and leave them burning. I take a bundle of sticks and redden their ankles if they misbehave, I can only love one person at a time. 
SOMEONE CALLED RADAR RADIATING FROM THE HIDECombination of an open box across the cheek, right-handed symptoms include speed. My skin was not buried before me but a legion goes through the dirt. Firemen eating fish dredged in flour in the parking lot, I give thanks you weren’t sick with something when you got to know me. The extensive intercourse grown up from a scarcity of cars, the rigid pose of being on television. I didn’t always walk this way, even monkeys in their trees understand what foreign means. Not without harm to their bodies. ALL MAY BE MERGEDGreen leaves appear to nod and define. When I snap pictures tender soars apart at the roots, a small hand gathers a handhold. Each other’s bodies described in the base languages of children, saying what we make do with using well. Fine white hairs on short green leaves. When I speak of you some object is also formed in light of that. I enfold the brimming object to you. |
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